Five Events that Shaped Country Music
Ken Burns’ recent PBS documentary on Country Music has brought new attention to this great American musical style. But not everyone has time to watch a 16-hour documentary–which is why I wrote Country Music: A Very Short Introduction ( https://global.oup.com/academic/product/country-music-a-very-short-introduction-9780190902841?q=Richard%20Carlin&lang=en&cc=us)! Developed from European and African-American roots, country music has shaped American culture while it has been shaped itself by key events that have transformed it, leading to new musical styles performed by innovative artists.
- 1927, Bristol, Tennessee: Country Music’s “Big Bang”
In late July of 1927, New York producer Ralph Peer arrived in a Bristol, Tennessee, to find new country artists to record. Among the many acts he discovered were a young ex-railroad brakeman and guitarist named Jimmie Rodgers, and a rural tree salesman named A.P. Carter, who travelled with his wife Sara and sister-in-law Maybelle from rural Virginia for the opportunity to record. The presence in one place of these two seminal acts—representing two important country styles—has been called country music’s “big bang.” Rodgers’ blues-influenced singing embodied one strand of the country sound, drawing on traditional African-American music; while the Carters represented the other, the older Anglo-American traditions
- 1934: Tulsa, Oklahoma: Bob Wills Launches His Band the Texas Playboys
In the 1930s, country musicians incorporated “modern” pop instruments like accordion, electric steel guitar, and even bass and drums into their performances. A new style arose that wed elements of pop, jazz, and old-time fiddle music, becoming known as Western Swing. Vocalist/fiddler Bob Wills was the best known of the Western Swing bandleaders. Wills’s band had two distinctive elements: the newly introduced electric “steel” guitar and Tommy Duncan’s smooth singing. By the end of the ’30s, the group had grown to include a large brass section, rivaling the popular big bands of the day in size and sound.
III 1952, Nashville, Tennessee: Kitty Wells Records “It Wasn’t God Who Made Honky Tonk Angels”
After World War II, honky tonks were key gathering places where men could come after work to enjoy a few beers and listen to music. Performers adopted electrified instruments to be heard over the considerable din. Songs about drifting husbands, enticed into sin by the “loose women” who gathered in bars, and the subsequent lyin’, cheatin’, and heartbreak created by their “foolin’ around,” became standard honky-tonk fare. While many honky tonk performers were men, there were also female singers who rose to the challenge. Kitty Wells’s “It Wasn’t God that Made Honky Tonk Angels” rightfully asserted that men had to share the blame for the “fallen women” who frequented these rough-and-tumble backwoods bars. The song shot up the country charts, establish Wells’s popularity and paving the way for other women to be country performers.
IV 1973, Dripping Springs, Texas: Willie Nelson’s First Picnic
After struggling for a decade to establish himself in Nashville as a performer, successful songwriter Willie Nelson returned to his native Texas where he knew he could make a living performing at the state’s honky tonks and fairs. To thank his fans, he threw the first of what became legendary picnics on the 4th of July weekend on a ranch in rural Dripping Springs, Texas. Besides Nelson, the lineup featured many other stars of the so-called “out-law” country movement, songwriter/performers who brought a new sensibility to country music. The picnics themselves attracted a huge audience that combined Texas rednecks with young hippies, showing how country music could cross cultural lines. Although ultimately these huge gatherings became too unwieldly to continue, Nelson went on to become a huge star both on the country charts and in major Hollywood films.
V 1971, Baltimore, Maryland: Gram Parsons meets Emmylou Harris
Country-rock pioneer Gram Parsons was looking for someone to sing backup for him on his first solo album when he heard for the first time Emmylou Harris. However, when he first saw her in a folk club, he wasn’t sure if she could cut it as a country singer. He tested her by asking her to sing the hardest duet he could think of, George Jones and Gene Pitney’s “That’s All It Took.” “She sang it like a bird,” Parsons recalled, “and I said, ‘Well, that’s it.’” After Parsons’s death, Harris became a champion of country‑rock. Through the ‘70s and ‘80s, Harris employed many musicians who would later become well‑known on their own, including Rodney Crowell, Ricky Skaggs, and Vince Gill. Despite some occasional returns to a more rock-oriented style, Harris has continued to be an icon in country circles, inspiring countless other female performers.